Had Heropanti 2 been released a few years back, it could have been a perfect motivational movie for me. Maybe my then boss could have even sponsored a ticket. Team development, you know. I could do with such levels of conviction even when I know what I am doing is absolutely stupid.
Hostage dramas are not new. And we have had multiple thrillers with a single man taking down terrorists – from Salman Khan starrer Tiger Zinda Hai to Vidyut Jammwal’s Sanak. The very theme of a superhero-like personality taking on armed terrorists is about breaking away from what could be believable…
Unlike an Aligarh, which aims to sensitise the audience on the hardships of a homosexual person, Badhaai Do puts the onus on the person itself. Its core idea is to boost morale so that a person accepts his or her sexuality openly without any fear or shame.
So, is Bollywood only making remakes? A good way to analyse this would be to look at data. Let’s list work done by the most followed Bollywood actors in the last 5 years… The industry has evolved to cater to the demands of the viewers. I will bet my money on it.
Binisutoy, of course, has a more pointed focus – the unbearable loneliness of the privileged life. It is a film that people could identify with, irrespective of which point of the road they are in.
Undeniably, Pushpa – The Rise is an absolute cracker of a mainstream blockbuster – one that makers set out to make. Everything about Pushpa is larger than life.
In many ways, SMJ2 is actually a masterclass. As the end credits rolled, believe you me, I actually watched it till the end, I was buzzing with multitudes of ideas… maybe a listicle since that’s the cool thing to do, on what not to do while making a movie
There is something incredibly likable about Sanya Malhotra. She does possess the power to pull off a scene on her own, if not the whole film. Where Meenakshi Sundareshwar goes completely wrong is the conflict build-up and the way it is addressed
There is an unremarkable song ‘Dhikchik Dhikchik’ early in the film where Rani Mukerjis’s Vimmi and Saif Ali Khan’s Rakesh are seen putting up an unremarkable performance at a regular neighbourhood event. That acts as a clue to whatever is about to follow.
“I am not being given my creative liberty here.” That’s what a friend of mine told me justifying why she…
In his attempt to expose the lie spread by the story’s female lead, the male protagonist attempts to record their…
Most of Rishu’s character is believable. We all know the type of guy who falls in love with every girl he meets. Throwback to Saif Ali Khan from Dil Chahta Hai, and Aamir Khan’s dialogue “Tera koi bharosa nahi. Aaj Pooja, kal koi dooja”!
Roughly two and half years ago, around November 2018, forest officials in Maharashtra with help from a private hunter had managed to kill a tigress named Avni after mounting a massive hunt. Amit Masurkar must have certainly had this incident playing in his mind when he decided to make Sherni. So Avni or T1 becomes T12, the hunter Asghar Ali Khan becomes Pintu bhaiya.
Director Bratya Basu may have sought inspiration from Savita Bhabhi too when he thought of his protagonist Smita Sanyal in Dictionary. Will it manage to create as much discussion as Savita Bhabhi did? Probably not. It most certainly is not aiming to do so.
Exactly a year back we lost Sushant Singh Rajput. Was it a case of suicide, or was there something more? Well, only time will tell. Irrespective, one of the things I will probably never be okay with was the way the depression story was ridiculed. “He did not look depressed,” is exactly the kind of argument that we should have probably never entertained. Nevertheless, that is a discussion for another day. Today, we discuss business. Business of films and how it could impact an actor’s career.
